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This was a collaborative project between myself the practitioner, North Somercotes Birkbeck School and Community Art College, Key Stage 4 students and CfBT Education Trust.


The project was to deliver the following research question: How can be used the industrial metal processes, reflecting figurative studies based around the school ethos, using stylised figures to create a simple interactive permanent sculptured partition as a main feature for an outdoor viewing area. Targeting a small group of key stage 4 students. (GCSE).


The students future interaction with the pieces will be through new design and colour schemes and adding pieces to the existing fabrications or perhaps even adding new figures.

Figure One: Academia

Figure Two: The Arts

Figure Three: Mathematics and the Sciences,

Figure Four: Sports

 

At the top can be seen the entire  finished project, the individual figures can be seen directly above and  to the right is the roundabout at the entrance to the school where they will be situated prior to commencement.

Below broken down into sessions is how the process and stages of production was introduced to the students, and the relevance of each stage.


Session One and Two: To start the project and help develop the idea of seeing the figure in action before  starting the drawing stages, a technique I  discovered during research on the South African artist William Kentridge was used. The students were encouraged to look for dynamic figures built from torn pieces of paper.  The paper can be readjusted easily and so the figures can be altered many times until the brain recognises a realistic action in the depiction. At this stage proportion and shape are irrelevant, the students are asked to find motion and position that is credible to the brain.  To the right can be seen the example of a the correct position found for the overhead smash in tennis. The first example below shows how the paper is moved to find other correct positions.

 

The changed positions recorded  were then used to make small animations one of which can be seen on You tube. To view the short piece go to

http://uk.youtube.com/results?search_query=Man+draging+left+leg&search=Search

 

 


Sessions Three and Four: Taking this recognition process into completing abstract figure drawings. Below are some example of the process in arriving at the figure with simple shapes. One aim of the project was to construct pieces that the students could revisit as often as they wanted to alter and change the work, whether by changing the colour scheme or adding extra pieces to the work. The simplicity of the shapes will make it easier for the students to carry on the process and as skills are developed add more complex pieces.

Hamlet

Academic

Sport


Sessions Five and Six: Making Mock-ups of the work before actual construction commences.  These are the figure made from preliminary drawings, they are made out of card and string on a wooden frame. This process was  quite difficult as the materials used lacked the rigidity of the mild steel that we would eventually use, but the benefits of using the Marquette was seen.

1/4 Life size.

1/4 Life size.

1/4 Life size.

Life size.


 

 

Sessions Seven Eight and Nine: Welding and Scaling Up Drawings.

Once the Marquette's were made it was time to introduce the students to the industrial process of welding  in parallel with and using the computer programme Photoshop to scale the pieces up to size and be measured accurately to be cut by a local engineering  firm.

For safety welding groups were limited to four students at a time, we started with the curved grid that would hold the metal shapes that would make up the figures. For the outside we were using 30mm square box section  and the grid was made up of 6mm rods. The thickness of these components are easier to weld and so gave the students practice before moving on to the thinner 1.5mm steel of the shapes which can be easy to burn holes in.

 

One of the students welding.

 

 

 

Whilst welding the frames commenced the pieces for the figures were ordered.

The diagram right shows how the sports  figure was accurately built in Photoshop each shape being defined by shade and then angles measured to 1/10th of a degree and lengths in millimetres. The measurements for the shapes which make up the sports figure are shown on the table to the far right.

 

The pieces were then cut by a commercial engineer, and then the figures were fabricated by the students and myself.

 

Shape No.

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

 

Angle

48.2

22.0

18.1

18.2

21.5

17.6

19.8

15.6

20.8

16.7

16.4

47.1

116.4

24.1

21.4

15.2

16.2

141.6

32.1

Side 12

328

366

357

257

459

449

430

371

471

438

430

332

298

412

370

534

447

170

255

 

Side 2

200

371

366

363

444

442

405

358

453

412

420

280

366

444

536

459

498

247

256


 

 

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